1964 Harold Eugene Edgerton – Bullet through Apple

Harold Edgerton's contribution to High-Speed Photography.

The development of high-speed photography by Harold Edgerton, marks a transformative era in the history of photography, with ground-breaking visual insights. Edgerton’s iconic image of a bullet piercing an apple exemplifies this, capturing a fleeting moment at speeds unimaginable before. This photograph not only demonstrated the ability to freeze time but also revealed hidden aspects of physical dynamics, offering a new perspective on High-Speed Photography.

Edgerton synchronized strobe flashes at intervals precise enough to illuminate and capture successive phases of rapid motion, with stroboscopic photography. His invention of the electronic flash, capable of lighting for a millionth of a second, allowed him to photograph objects moving at extreme velocities, a technique previously considered unfeasible. These innovations propelled technological advancements in various scientific fields, enabling researchers to visualize and refine theories about fast-moving phenomena. Edgerton’s approach transformed photographic practice, influencing both contemporary art and scientific investigation by making complex concepts visually compelling and accessible.

Credit: Edgerton, H. (1964), © 2010 MIT. Courtesy of MIT Museum
Author: Harold Edgerton (1964)
Title: Bullet through apple
Date: 1964
Archive: MIT Museum
Source: The Edgerton Digital Collections project
Original file: 729 x 567 pixels, file size: 1.8 MB
Available information: High Speed Photography

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High-speed capture has always been a pursuit against the limits of time itself. From early shadowgraphy to spark photography and stroboscopic techniques, from ultra-high-speed sensor imaging to femto-photography, each advance has sought to shorten the gap between event and image. These breakthroughs transformed photography into a tool capable of revealing what lies beyond human perception—freezing the fleeting, visualizing shockwaves, or tracing light itself. As both a scientific instrument and an artistic medium, high-speed photography continually expands our capacity to observe, measure, and imagine the dynamics of an unseen world.

1882 WILLIAM JENNINGS – LIGHTNING
Pioneered high-speed capture of lightning, overcoming long-exposure limitations.

1887 ERNST MACH – BRASS BULLET
Photographed a supersonic bullet in flight, revealing shock waves and confirming theoretical models of high-speed motion.

1900 A.M. WORTHINGTON - SPLASH
Used spark photography to freeze liquid motion in unprecedented detail.

1964 HAROLD EUGENE EDGERTON – BULLET THROUGH APPLE
Perfected stroboscopic precision to capture microsecond phases of motion.

2014 CERN, Pcharito-Alicelead3
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2012 RAMESH RASKAR MIT
Recorded light in motion at a trillion frames per second (Femto-Photography).